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上課重點

1 Vocabulary

  【cap】   recap (v) 翻新、概括

    head     decapitation (n) 斬首殺頭、解雇、撤職 → 【de】down

                captain (n) 船長

   reveal  ←→ conceal

2 片語

  be accused of 被指控、被控告  

   I don't want to be accused of tampering with the evidence.

   Mr. Slope will be accused of deceit in his mode of canvassing.  

  prevent .... from 阻止、防止

   Regular buffing helps prevent nails from splitting.

   You have to keep watching to prevent the milk from boiling over.

 

3 How to take notes?

YouTube: https://www.youtube.com/watch?v=UAhRf3U50lM

 

4 drama ( have character instead narrater)

wikipedia: http://en.wikipedia.org/wiki/Drama

Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning action (Classical Greek:δρᾶμαdrama), which is derived from the verb meaning to do or to act (Classical Greekδράωdraō). The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. Thestructure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. Theearly modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night by Eugene O’Neill (1956).

drama_faces  

The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek MusesThalia and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with theepic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.

drama41  

5 古希臘戲劇

wikipedia: 
http://zh.wikipedia.org/zh-hant/%E5%8F%A4%E5%B8%8C%E8%85%8A%E6%88%8F%E5%89%A7

 

西元前五世紀,戲劇已經正式成為雅典文化和市民生活中的重要組成部分。一年一度在酒神劇場酒神節的重要內容便是盛大的戲劇比賽。每個參賽的劇作家都要提交一個悲劇三聯劇和一個內容相關的羊人劇作為參賽作品,後者的風格往往要比前者輕鬆和愉悅。戲劇發展到這個時期,劇中的人物由一個增至兩個,而歌隊扮演的角色則更像是一個獨立的人物,而非一個簡單的敍事者。劇作的主題也不再僅僅局限於對狄奧尼索斯的頌揚,而是開始在整個古希臘神話中取材。

 

由於演員和觀眾的距離非常之遠,因此演員必須頻繁更換服裝和面具來吸引觀眾的注意。演員們利用厚底的靴子以使自己顯得高一些,有時還要帶上顏色豔麗的手套以使觀眾能夠辨認自己的手勢。

 

面具是戲劇中最具古希臘特色的象徵。在一部戲劇中,每個演員都有自己獨特的面具。這些面具通常用亞麻軟木製成,所以沒有一個能夠保留到今天;但是從以古希臘演員為主題的繪畫和雕塑作品中,我們可以得知那些面具的形狀樣式。悲劇中使用的面具往往是痛苦或哀悼的表情,而喜劇中使用的面具則通常是微笑的表情,或帶有點邪惡的意味。演員在表演的時候用面具遮住整個面孔,包括頭髮在內。經過後世學者證明,這些面具的形狀有利於演員聲音的擴散,使他們的聲音更有穿透力,更加容易讓觀眾聽得清楚

 

6 Dionysia 酒神節 (drama 最早祭獻於此) 

wikipedia: http://en.wikipedia.org/wiki/Dionysia

The Dionysia (/dəˈnsiə/) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.

Greek tragedy is a form of theatre from Ancient Greece and Asia Minor. It reached its most significant form in Athens in the 5th century BC. Greek tragedy is an extension of the ancient rites done in honor of Dionysus and heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most important authors of Greek tragedies are AeschylusSophoclesand Euripides.

Sat-play  

三大悲劇詩人

other information: http://www.zwbk.org/zh-tw/Lemma_Show/95031.aspx

Aeschylus

wikipedia: http://en.wikipedia.org/wiki/Aeschylus

  這位被後人尊稱爲“悲劇之父”的詩人,作爲古希臘悲劇形成時期的代表作家,Aeschylus 的命運觀更多地繼承了古希臘人的較爲傳統的命運觀,Aeschylus 把命運看作具體的神,認爲命運支配人的一切,包括支配神。但他又強調人的意志。因此他的悲劇更多地顯示人生的黑暗面,但作爲一個虔誠的神論者,他沒有把人間描寫成地獄,他告誡他的熱衷内訌的同胞們:對神意的信念,最終會把人們引向公正與和諧。《普羅米修斯》三部曲中,對普羅米修斯來說,命運就是宙斯,由於他盜火給人類,又拒絕說出宙斯的祕密,因此受到宙斯的嚴酷懲罰,最終犧牲了自己。對宙斯來說,命運卻是一個他不知道的祕密,這個祕密是冥冥中注定他被推翻的下場。這就是古希臘悲劇早期的命運觀念,它帶有宗教性和神性的,然而在客觀上啟迪了人性,是人性理想的化身。

 

Sophocles

wikipedia: http://en.wikipedia.org/wiki/Sophocles

  第二個悲劇詩人,Sophocles 向命運提出懷疑與挑戰。在他看來,命運不是具體的神而是一種不可捉摸的神祕力量,命運有捉弄人的邪惡性質。敢於抗爭命運的英雄是值得同情和歌頌的,雖然最後隻能是一場悲劇。詩人強調人對命運的反抗和堅強的意志。他的命運觀也成了這一階段古希臘悲劇命運觀念的代表。Sophocles 的代表作是《俄底浦斯王》,被認爲是希臘悲劇的典範。劇情深刻說明了希臘人對命運力量的敬畏。俄底浦斯並不是一個應遭懲罰的罪人而是一個注定陷於罪孽的不幸者形象,而他爲了逃避命運所作的每一步努力都恰好使自己更深的落入命運之網。作家用希臘式的反諷營造了哲學層面上的深刻悲劇意識,表現了人類永遠無法抗拒命運的悲觀主題。盡管結局是悲慘的,但這種明知“神示”不可違而違之的精神,正是對個人自主精神的肯定.在索福克勒斯的作品中,神盡管不能完全掌控人類的命運,人類即使可以對命運做出挑戰的嚐試,但是這樣的嚐試是危險的。在索福克勒斯的筆下,悲劇不再是人淪爲神或是命運的玩物,而是人在努力對抗強加在自己身上的不幸命運之後卻落得失敗的下場。人在他筆下已經從命運的奴隸轉變成爲英雄。在索福克勒斯心目中,命運雖是不可抗拒的,其正義性、合理性卻是可以懷疑的。這一階段悲劇中的命運觀念進步性在於肯定了人的價值,悲劇中的命運觀人本思想更深了。

 

Euripides

wikipedia: http://en.wikipedia.org/wiki/Euripides

  Euripides 走得比兩位前輩更遠,古希臘悲劇更具有進步性,他已經完全將視線從神身上轉移到了人。他抨擊有神論的倫理觀,不相信命運。他認爲命運在人的本身,強調事在人爲,強調命運靠自己掌握。Euripides 的命運觀在三大悲劇詩人當中也是最具有進步性的。他將社會因素與人的因素放進命運的觀念中。在《美狄亞》中,美狄亞是一個神和命運的質疑者,應該注意到的是同樣在悲劇命運面前她進行了積極的反抗(毒殺親子以實現報複),與俄底浦斯自我放逐的消極態度形成對照。在希臘悲劇時代後期人性和現實逐漸占領舞台,美狄亞的出現意味着命運女神不可動搖的形象開始崩解。美狄亞不甘於被遺棄的命運,用計策謀殺了情敵,爲了報複丈夫的負心,可以狠心屠殺了兩個幼子。然而她卻沒有受到命運的因果報應,而且還乘着神車飛馳而去,逍遙法外。與其說是因果報應在她身上沒有起作用,不如說是命運本來就掌握在美狄亞手中。到了這個時期,古希臘悲劇中的命運觀念已經充分體現了人本思想,重視人的作用。主張事在人爲,肯定敢於改變現狀爭取自己的權利的行爲,比前人都更具進步性和現代性。
 320px-De_Morgan_Medea  Medea by Evelyn De Morgan

 

8 Chorus 祈求+演員 = drama

   leader: chorus the leader

Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary information to help the audience follow the performance

wikipedia: http://en.wikipedia.org/wiki/Greek_chorus

A Greek chorus (Greekχορόςkhoros) is a homogeneous, non-individualised group of performers in the plays of classical Greece, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison and sometimes wore masks.

 

9 Agamemnon: man must learn from suffering

After Clytemnestra (情夫 Aegisthus) kill Agamemnon (Atreus 家族 / kill Iphigeneia) their children Orestes and Electra kill Clytemnestra → 被復仇女神追殺

Agamemnon win the war → 抓 Cassandra (troy 的 princess) → Clytemnestra tells her that she'll be treated according to her station in life.

The Sacrifice of Iphigenia

640px-The_Sacrifice_of_Iphigenia 

Cassandra in front of the burning city of Troy at the peak of her insanity.

220px-Cassandra1  

10 forecast / forehead / foreshadowing

 

11 goddess of justice (蒙眼 天秤 劍)

 goddess-of-justice2 

25988654-femida-goddess-of-justice-with-scales-and-sword-wearing-blindfold  

12 注意發音 [ɑ]

Socrates 蘇格拉底 [ˈsɑkrəˌtiz]

c.c carbon copy[ˈkɑrbən ˈkɑpi]

 

 

xerox copy [ˈzɪrɑks ˈkɑpi]

wikipedia: http://en.wikipedia.org/wiki/Socrates

Socrates (/ˈsɒkrətz/; GreekΣωκράτης [sɔːkrátɛːs]Sōkrátēs; 470/469 – 399 BC) was a classical Greek (Athenianphilosophercredited as one of the founders of Western philosophy. He is an enigmatic figure known chiefly through the accounts of classical writers, especially the writings of his students Plato and Xenophon and the plays of his contemporary Aristophanes. Plato's dialogues are among the most comprehensive accounts of Socrates to survive from antiquity, though it is unclear the degree to which Socrates himself is "hidden behind his 'best disciple', Plato".

 

13 Tiresias (預言家 變男變女)

wikipedia: http://en.wikipedia.org/wiki/Tiresias

In Greek mythologyTiresias (/tˈrisiəs/GreekΤειρεσίαςTeiresias) was a blind prophet of Apollo in Thebes, famous forclairvoyance and for being transformed into a woman for seven years. He was the son of the shepherd Everes and thenymph Chariclo. Tiresias participated fully in seven generations at Thebes, beginning as advisor to Cadmus himself.

300px-Tiresias_striking_the_snakes

14 Hiamon: Kreon 的兒子 (Oedipus' brother-in-low 連襟) 

     Antigone: daughter of Oedipus

    → Hiamon love Antigone

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